Best Of David Bowie 2002
1-1 – Space Oddity Arranged By –, Producer – 5:12 1-2 – The Man Who Sold The World Engineer – Producer, Remix – 3:56 1-3 – Oh! You Pretty Things Producer Assisted By – Producer, Mixed By – 3:11 1-4 – Changes Arranged By – Producer Assisted By – Producer, Mixed By – 3:33 1-5 – Life On Mars?. Coordinator Project Co-ordination For EMI –,. Coordinator Project Co-ordination For RZO Music –. Design Front Cover Designed By –.
Best of Bowie (2002) is a career-spanning greatest hits album by multi-platinum recording artist David Bowie. The songs range from his second album (1969) to 2002. It was released 35 years after his first album, David Bowie. The Best of Bowie is a David Bowie compilation album released in 1980. The cover was based on the 12-inch single sleeve design of Bowie's 'Fashion'.
Design Package Design, Layout –. Mastered By –. Photography By Page 13 –. Photography By Page 7 –.
Photography By Pages 12, 14, 15 –. Photography By Pages 2, 3, 5, 14, 15, 20 –. Photography By Pages 2, 3, 9, 14, 15 –. Photography By Pages 4, 14, 15 –.
Photography By Pages 6, 10, 14, 15 –. Photography By Pages 8, 14, 15 –. Written-By – (tracks: 1-1 to 1-11, 1-13 to 1-18, 2-1 to 2-11, 2-13, 2-15 to 2-17, 2-19, 2-20). This release differs from in that it lacks 'S.I.A.E.' After 'Made in the EU.'
On the label. Track names taken from the booklet interior, not the rear cover or initial listing on booklet pages 2 & 3.
Tray insert: ℗ 2002 The copyright in this compilation is owned by EMI Records Ltd. © 2002 Jones/Tintoretto Entertainment Co., LLC. This label copy information is subject to copyright protection.
All Rights Reserved. © 2002 EMI Records Ltd. Booklet: Package design and layout @ EMI Mastered at Abbey Road Studios Special thanks to Bill Zysblat and Christina Degaitis @ RZO Music, Eileen d'Arcy @ Isolar Enterprises, Inc., Julian Stockton @ The Outside Organisation, Jo Cosbert, Mike Heatley, Drew Lorimer, Darren Evans, Julian French, Emma Murray, Vikki Seymour and Graeme Anderson @ EMI Records.
Publishers: Track 1-1 Onward Music Ltd. Tracks 1-2 to 1-11, 1-17, 1-18 Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd., Chrysalis Music Ltd. Track 1-12 EMI United Partnership Ltd.
Tracks 1-13 to 1-15 Jones Music America/RZO Music Ltd., EMI Music Publishing Ltd., Chrysalis Music Ltd. Tracks 1-16 Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd., Chrysalis Music Ltd., Unitunes Music a Division of Unidisc Music Inc., BMG Music Publishing Ltd. Tracks 1-19 Carlin Music Corp., BMG Music Publishing Ltd. Nero 8 download. Tracks 2-1, 2-5 to 2-7 Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd.
Tracks 2-2, 2-3 Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd., BMG Songs Ltd. Track 2-4 Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd., Queen Music Ltd. Track 2-8, 2-10, 2-11, 2-13, 2-15, 2-16 Jones Music America/RZO Music Ltd. Track 2-9 Jones Music America/RZO Music Ltd., James Osterberg Music/EMI Virgin Music Ltd., EMI Music Publishing Ltd. Track 2-12 Jones Music America/RZO Music Ltd., BMG Music Publishing Ltd., Polygram Music Publishing, Ltd. Track 2-14 Jobete Music Co. (ASCAP), Stone Agate Music (BMI).
Track 2-17, 2-19 Tintoretto Music/RZO Music Ltd., Opal Music Ltd. Track 2-18 Tintoretto Music/RZO Music Ltd., Exploded View Music/Bug Music Ltd. Track 2-20 Nipple Music/RZO Music Ltd. Tracks 1-1 to 1-5, 1-10 to 1-14, 1-16, 1-18 to 2-1, 2-3, 2-11 Digital Remaster ℗ 1999 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd. Tracks 1-6 to 1-9, 1-15, 1-17, 2-2, 2-5 to 2-10, 2-12, 2-13, 2-16 Digital Remaster ℗ 2002 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd. Track 2-4 ℗ 1981 The copyright in this sound recording is owned by Raincloud Productions Ltd./Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Track 2-14 Digital Remaster ℗ 2002 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC/Promotour B.V. Under exclusive license to EMI Records Ltd. Track 2-15 Digital Remaster ℗ 2002 The copyright in this sound recording is owned by Virgin Records Ltd. Track 2-17 ℗ 1995 The copyright in this sound recording is owned by Risky Folio, Inc. Track 2-18, 2-19 ℗ 1997 The copyright in this sound recording is owned by Risky Folio, Inc. Track 2-20 ℗ 2002 The copyright in this sound recording is owned by ISO Records, Licensed courtesy of Sony Special Markets. Track 1-1 Taken from the album 'Space Oddity'.
Track 1-2 Taken from the album 'The Man Who Sold The World'. Tracks 1-3 to 1-5 Taken from the album 'Hunky Dory'. Tracks 1-6 to 1-8 Taken from the album 'The Rise And Fall Of Ziggy Stardust And The Spiders From Mars'. Tracks 1-10, 1-11 Taken from the album 'Aladdin Sane'.
Track 1-12 Taken from the album 'Pin Ups'. Tracks 1-13, 1-14 Taken from the album 'Diamond Dogs'.
Track Listings
Track 1-15 Original version on the album 'Young Americans' Track 1-16 Taken from the album 'Young Americans'. Track 1-17 Original version on the album 'Station To Station' Tracks 1-18, 1-19 Taken from the album 'Station To Station'. Track 2-1 Taken from the album 'Low'. Track 2-2 Original version on the album 'Heroes'. Track 2-3 Taken from the album 'Lodger'.
Easter Egg Access
Tracks 2-5 to 2-7 Original version on the album 'Scary Monsters'.
The most thorough Bowie hits spread over his entire career. A must for any Bowie fan. This two disc collection of David Bowie's videos from 1972 to 2000 is a fascinating look at his ever evolving persona as an artist, and features a bunch a truly great songs. On the other hand, the videos themselves were more of a mixed bag than I expected. There are some classic early experiments ('Ashes to Ashes') and a number of interesting videos from the mid-90s on, but I was surprised, given Bowie's penchant for trying new things, how many of these videos were pretty standard or familiar. A lot of disc one is just concert or playback videos, often from TV appearances, with Bowie sometimes painfully obviously simply lip-syncing to the record.
Chart Performance
But more surprising is how many of the 'middle' period of these discs 1980 to 1990 were just not very imaginative. Finally Bowie seemed to catch on to the importance of working with more visionary directors like Mark Romanek, and the last half of the second disc is almost always interesting on a film-making as well as a musical and historic record level. I'm very glad to have this, but I'd keep my finger on the skip button on future viewings.