I've learned how to fake particles, notably poorly, but nothing that can make a game look dazzling. Such as different effects that would require the path animation, which doesn't exist in the BGE(for some reason).

1. Blender Bake Particles
2. Blender Particle Physics

Specific effects I need a work around for: Explosion particles, nothing fancy, just small blocks that can move to an objects location and play an animation where they expand outwards. I thought I could do this with the force object that is present in blender render, but as most things, it doesn't exist in the game. Also it would be nice to not have a pre-rendered effect, as it would look pretty poor with the 3-D environment. Camera motion: The kind of fluid motion I'm looking for would require path animations, but paths cannot be attained in the BGE, so I need a workaround. It would also be useful to have this for other effects as-well.

Most folks who do 3D are aware of Blender's 3D modeling and animation abilities, but many folks don't realize that Blender also has a world class game engine, complete with modern shader support (GLSL), a new physics engine (Bullet) and an easy WYSIWYG game editor. Add that to Blender's amazing 3D modeling toolset, unmatched support (at blenderartists.org) and the fact that it's free (open source) this is one hard to beat engine. Game Engine; User Preferences. Particle System Panel. Multiple particle systems interact or merge with each other to achieve the overall desired effect.

Better Particle effects: The system I have right now uses the add object and the object it adds has a fading animation to make it looks like a trail. As you can imagine this looks like rubbish, and I've seen some pretty good particle animations around, but I cannot seem to replicate one that looks decent.

'Particle effects' seems very generic. What specifically are you trying to create?

Streams of smoke? From what it sounds you need some more variation (can be done by animating the emitter). You might want to also look into using a random actuator to spawn different versions of smoke etc. Explosion-wise I recommend my For more fluid camera motion I would look at using a different mouselook or slow parent. You mention you don't want pre-rendered effects, however this can work quite well using a billboard material along with some dynamic planes of dirt (falling) and dust thrown at the player. 'Particle effects' seems very generic.

What specifically are you trying to create? Streams of smoke?

From what it sounds you need some more variation (can be done by animating the emitter). You might want to also look into using a random actuator to spawn different versions of smoke etc. Explosion-wise I recommend my For more fluid camera motion I would look at using a different mouselook or slow parent. You mention you don't want pre-rendered effects, however this can work quite well using a billboard material along with some dynamic planes of dirt (falling) and dust thrown at the player.

It isn't a first person game, and the camera motion is more cut-scenes or general effects. Such as how the camera moves on the 20th century logo. And can I animate the emitter in blender render and use it in blender game? I meant more animate the emitter location or rotation to make smoke spawn in different locations (you are playing the action while the game is running). I'm sure with some key framing and using the graph editor will allow for a smooth camera movement, you just have to make sure there is lots of space between the keyframes. No matter what game style you are creating, using track to or billboard for smoke and other effects can work quite well + efficiently. Again the information you are telling is very generic and vague so its hard to come up with solutions.

I meant more animate the emitter location or rotation to make smoke spawn in different locations (you are playing the action while the game is running). I'm sure with some key framing and using the graph editor will allow for a smooth camera movement, you just have to make sure there is lots of space between the keyframes.

No matter what game style you are creating, using track to or billboard for smoke and other effects can work quite well + efficiently. Again the information you are telling is very generic and vague so its hard to come up with solutions. I agree, when people say 'How do I do special effects in blender?' It's the same as walking up to a Hollywood effects engineer and asking him/her 'How do I make special effects for movies?' There are a whole bunch of different techniques to learn if you want to make really good special effects, and there are a whole bunch of different areas of application you might be interested in.

Other (paid) game engines might have all that built in, but we have to learn how to make it from scratch, which is a gift, not a curse. For example: Explosions.

Here are some basic old fashioned style explosions from an old project of mine. This was using an old laptop and single texture mode, so I'm sure you can get nicer effects. A nice trick is to spawn an empty or invisible cube which flies through the air away from the explosion point, and have that object also spawn particles as it flies. When it has been flying for a certain time, stop spawning flame type objects and instead spawn smoke. Have several of these objects spawned by an explosion in addition to the main one. Blood Blood has a whole different set of techniques you need to use if you want it to look good.

Here's some comedy gibbing type death effect I made for my brother (that's him in the tiger head mask). More advanced particles. The above examples use all Logic brick solutions. No Python code at all. But you can get even better effects once you start using python: In general you can get better effects by: A: Having smaller but more numerous particles, though this uses more logic. B: Using larger more detailed textures, but this drains the rasterizer. You have to find the best balance between performance and appearance.

Some other kinds of effects to think about: Mist and smoke. In/Underwater, bubbles and splashes. Running water, dripping, rain. Fire or lava. Magical effects.

The desktop scene in version 2.77 The animation studio Neo Geo developed Blender as an in-house application in January 1995, with the primary author being software developer. The name Blender was inspired by a song by, from the album.

When Neo Geo was acquired by another company, Ton Roosendaal and Frank van Beek founded (NaN) in June 1998 to further develop Blender, initially distributing it as until NaN went bankrupt in 2002. On July 18, 2002, Roosendaal started the 'Free Blender' campaign, a precursor. The campaign aimed for Blender for a one-time payment of €100,000 (US$100,670 at the time) collected from the community. On September 7, 2002, it was announced that they had collected enough funds and would release the Blender.

Today, Blender is, open-source software that is—apart from the Blender Institute's two full-time and two part-time employees—developed by the community. The initially reserved the right to use, so that, in addition to, Blender would have been available also under the Blender License that did not require disclosing source code but required payments to the Blender Foundation. However, they never exercised this option and suspended it indefinitely in 2005. Blender is solely available under 'GNU GPLv2 or any later' and was not updated to the, as 'no evident benefits' were seen. The following program developed in each version: Version Release Notes and key changes Old version, no longer supported: 2.03 around 2002 Handbook The official Blender 2.0 guide.

Old version, no longer supported: 2.26 August 20, 2003 First ever free version. Old version, no longer supported: 2.30 November 22, 2003 New; edits are now revertible.

Old version, no longer supported: 2.32 February 3, 2004 in internal renderer; support for. Old version, no longer supported: 2.34 August 5, 2004 LSCM-UV-Unwrapping, object-particle interaction. Old version, no longer supported: 2.37 May 31, 2005 Simulation of elastic surfaces; improved subdivision surface.

Old version, no longer supported: 2.40 December 22, 2005 Greatly improved system and character animations (with a non-linear editing tool), and added fluid and hair simulator. New functionality was based on 2005. Old version, no longer supported: 2.41 January 25, 2006 Improvements of the game engine (programmable vertex and pixel shaders, using Blender materials, split-screen mode, improvements to the physics engine), improved UV mapping, recording of the scripts for sculpture or sculpture works with the help of grid or mesh (mesh sculpting) and set-chaining models. Old version, no longer supported: 2.42 July 14, 2006 The film resulted in high development as a necessity.

In particular, the (Material- and Compositor) has been implemented. Old version, no longer supported: 2.43 February 16, 2007 Sculpt-Modeling as a result of 2006. Old version, no longer supported: 2.46 May 19, 2008 With the production of Big Buck Bunny, Blender gained the ability to produce grass quickly and efficiently. Old version, no longer supported: 2.48 October 14, 2008 Due to development of, the game engine was improved substantially. Old version, no longer supported: 2.49 June 13, 2009 First official stable release 2.5. New window and file manager, new interface, new API, and new animation system.

Old version, no longer supported: 2.57 April 13, 2011 First official stable release of 2.5er branch: new interface, new window manager and rewritten event — and tool — file processing system, new animation system (each setting can be animated now), and new Python API. Old version, no longer supported: 2.58 June 22, 2011 New features, such as the addition of the warp modifier and render baking. Improvements in sculpting. Old version, no longer supported: 2.58a July 4, 2011 Some bug fixes, along with small extensions in GUI and interface. Old version, no longer supported: 2.59 August 13, 2011 3D mouse support. Old version, no longer supported: 2.60 October 19, 2011 Developer branches integrated into main developer branch: among other things, B-mesh, a new rendering/shading system, to name a few, directly from.

Old version, no longer supported: 2.61 December 14, 2011 Render-Engine Cycles, Dynamic Paint, Ocean Simulator. Old version, no longer supported: 2.62 February 16, 2012 Motion tracking improvement, further expansion of UV tools, and remesh modifier. First version to include the Cycles render engine. Old version, no longer supported: 2.63 April 27, 2012 Bug fixes, B-mesh project: completely new mesh system with n-corners, plus new tools: dissolve, inset, bridge, vertex slide, vertex connect, and bevel. Old version, no longer supported: 2.64 October 3, 2012 keying, node-based compositing. Old version, no longer supported: 2.65 December 10, 2012 Over 200 bug fixes, support for the, and fire simulation.

Old version, no longer supported: 2.66 February 21, 2013 Rigid body simulation available outside of the game engine, dynamic topology sculpting, hair rendering now supported in Cycles. Old version, no longer supported: 2.67 May 7–30, 2013 Freestyle rendering mode for non-photographic rendering, support added, the motion tracking solver is made more accurate and faster, and an add-on for 3D printing now comes bundled. Old version, no longer supported: 2.68 July 18, 2013 Rendering performance is improved for and GPUs, support for Tesla K20, GTX Titan and GTX 780 GPUs. Smoke rendering improved to reduce blockiness. Old version, no longer supported: 2.69 October 31, 2013 Motion tracking now supports plane tracking, and hair rendering improved. Old version, no longer supported: 2.70 March 19, 2014 Initial support for volume rendering and small improvements to the user interface. Old version, no longer supported: 2.71 June 26, 2014 Support for baking in Cycles and volume rendering branched path tracing now renders faster.

Old version, no longer supported: 2.72 October 4, 2014 Volume rendering for GPUs, more features for sculpting and painting. Old version, no longer supported: 2.73 January 8, 2015 New fullscreen mode, improved Pie Menus, 3D View can now display the world background. Old version, no longer supported: 2.74 March 31, 2015 Cycles got several precision, noise, speed, memory improvements, new Pointiness attribute. Old version, no longer supported: 2.75a July 1, 2015 Blender now supports a fully integrated Multi-View and Stereo 3D pipeline, Cycles has much awaited initial support for AMD GPUs, and a new Light Portals feature. Old version, no longer supported: 2.76b November 3, 2015 Cycles volume density render, OpenSubdiv mesh subdivision library, node inserting, video editing tools.

Old version, no longer supported: 2.77a April 6, 2016 Improvements to Cycles, new features for the Grease Pencil, more support for OpenVDB, updated library and support for Windows XP removed. Older version, yet still supported: 2.78c February 28, 2017 Spherical stereo rendering for, Grease Pencil improvements for 2D animations, Freehand curves drawing over surfaces, Bendy Bones, Micropolygon displacements, Adaptive Subdivision. Cycles performance improvements. Current stable version: 2.79 September 11, 2017 Cycles denoiser, Improved OpenCL rendering support, Shadow Catcher, Principled BSDF Shader, Filmic color management, improved UI and Grease Pencil functionality, improvements in Alembic import and export, surface deformities modifier, better animation keyframing, simplified video encoding, additions and new add-ons.

Blender Bake Particles

Future release: 2.80 2018-07 new UI with OpenGL 3.3+ and much more. Suzanne In January–February 2002 it was clear that NaN could not survive and would close the doors in March. Nevertheless, they put out one more release, 2.25.

As a sort-of, a last personal tag, the artists and developers decided to add a of a head. It was created by Willem-Paul van Overbruggen (SLiD3), who named it Suzanne after the orangutan in the film. Suzanne is Blender's alternative to more common such as the and the. A low-polygon model with only 500 faces, Suzanne is often used as a quick and easy way to test material, animation, rigs, texture, and lighting setups and is also frequently used in joke images. Suzanne is still included in Blender. The largest Blender contest gives out an award called the.

Clones Due to Blender's open source nature, other programs have tried to take advantage of its success by repackaging and selling cosmetically-modified versions of it. Examples include IllusionMage, 3DMofun, 3DMagix, and Fluid Designer, the latter being recognized as Blender-based. Features. Steps of forensic facial reconstruction of a mummy made on Blender by the Brazilian 3D designer.

Official releases of Blender for, and, as well as a for, are available in both and versions. Though it is often distributed without extensive example scenes found in some other programs, the software contains features that are characteristic of high-end 3D software. Among its capabilities are:. Support for a variety of geometric primitives, including, fast modeling, multi-res (including dynamic topology, maps baking, remeshing, resymetrize, decimation), outline, and a new n-gon modeling system called B-mesh. Internal render engine with, indirect lighting, and ambient occlusion that can export in a wide variety of formats. A render engine called Cycles, which can take advantage of the for rendering. Cycles supports the since Blender 2.65.

Integration with a number of external render engines through plugins. Keyframed animation tools including, hook, curve and, non-linear animation, constraints, and. Simulation tools for including mesh, smoke simulation, ocean generator with waves. A particle system that includes support for particle-based hair.

Modifiers to apply non-destructive effects. scripting for tool creation and prototyping, game logic, importing/exporting from other formats, task automation and custom tools. Basic non-linear video/audio editing. The, a sub-project, offers interactivity features such as, dynamics engine, and programmable logic. It also allows the creation of stand-alone, real-time applications ranging from architectural visualization to. A fully integrated node-based compositor within the rendering pipeline accelerated with. Procedural and node-based textures, as well as, projective painting, and dynamic painting.

Real-time control during physics simulation and rendering. Blender's user interface underwent a significant update during the 2.5x series Blender's incorporates the following concepts: Editing modes The two primary modes of work are Object Mode and Edit Mode, which are toggled with the Tab key. Object mode is used to manipulate individual objects as a unit, while Edit mode is used to manipulate the actual object data.

For example, Object Mode can be used to move, scale, and rotate entire, and Edit Mode can be used to manipulate the individual vertices of a single mesh. There are also several other modes, such as Vertex Paint, Weight Paint, and Sculpt Mode. Usage Most of the commands are accessible via. There are also comprehensive menus. Numeric input Numeric buttons can be 'dragged' to change their value directly without the need to aim at a particular widget, as well as being set using the keyboard. Both sliders and number buttons can be constrained to various step sizes with modifiers like the Ctrl and Shift keys. Expressions can also be typed directly into number entry fields, allowing mathematical expressions to specify values.

Workspace management The Blender GUI builds its own on top of one or multiple windows provided by the underlying platform. One platform window (often sized to fill the screen) is divided into sections and subsections that can be of any type of Blender's views or window-types. The user can define multiple layouts of such Blender windows, called screens, and switch quickly between them by selecting from a menu or with keyboard shortcuts. Each window-type's own GUI elements can be controlled with the same tools that manipulate 3D view.

For example, one can zoom in and out of GUI-buttons using similar controls one zooms in and out in the 3D viewport. The GUI viewport and screen layout is fully user-customizable. It is possible to set up the interface for specific tasks such as video editing or or texturing by hiding features not used for the task.

Video Editor (VSE) Blender features a fully functional, production ready Non-Linear video editor called Video Sequence Editor or VSE for short. Blender's VSE has many features including effects like, Fade and Wipe transitions, and other video transformations. However, there is no multi-core support for rendering video with VSE. WebGL authoring , an open source framework, can be used to convert whole Blender scenes with graphics, animation, sound and physics to work in standard web browsers. Export can be performed with a single click, even as a standalone web page., a real-time renderer and a toolkit for creating interactive 3D web experiences, works on top of Blender and 3ds Max.

Rendering and ray tracing Cycles is the that is designed to be interactive and easy to use, while still supporting many production features. It comes installed as an add-on that is available by default and can be activated in the top header.

GPU rendering Cycles supports rendering which is used to help speed up rendering times. There are two GPU rendering modes:, which is the preferred method for graphics cards; and, which supports rendering on graphics cards. Multiple GPUs are also supported, which can be used to create a – although having multiple GPUs doesn't increase the available memory because each GPU can only access its own memory. Supported features Feature CPU CUDA OpenCL Basic Shading Yes Yes Yes Transparent Shadows Yes Yes Yes Yes Yes Yes Hair Yes Yes Yes Volume Yes Yes Yes Smoke/Fire Yes Yes Yes Subsurface Scattering Yes Yes Yes Yes No No Correlated Multi-Jittered Sampling Yes Yes Yes Branched Path integrator Yes Yes Yes /Subdivision Experimental Experimental Experimental Integrator The integrator is the rendering algorithm used for lighting computations. Cycles currently supports a path tracing integrator with direct light sampling. It works well for various lighting setups, but is not as suitable for and some other complex lighting situations.

Rays are traced from the camera into the scene, bouncing around until they find a light source such as a lamp, an object emitting light, or the world background. To find lamps and surfaces emitting light, both indirect light sampling (letting the ray follow the surface ) and direct light sampling (picking a light source and tracing a ray towards it) are used.

There are two types of integrators:. The default path tracing integrator is a pure path tracer.

At each hit it bounces light in one direction and picks one light to receive lighting from. This makes each individual sample faster to compute, but typically requires more samples to clean up the noise.

The alternative is a branched path tracing integrator which at the first hit splits the path for different surface components and takes all lights into account for shading instead of just one. This makes each sample slower, but reduces noise, especially in scenes dominated by direct or one-bounce lighting.

Open Shading Language Blender users can create their own nodes using the although it is important to note that there is no support for it on GPUs. Materials Materials define the look of, and other geometric objects.

They consist of three, defining the mesh's appearance of the surface, volume inside, and displacement of the surface. Surface shader The surface shader defines the light interaction at the surface of the mesh. One or more can specify if incoming light is reflected back, refracted into the mesh, or absorbed. Volume shader When the surface shader does not reflect or absorb light, it enters the volume. If no volume shader is specified, it will pass straight through to the other side of the mesh. If one is defined, a volume shader describes the light interaction as it passes through the volume of the mesh.

Light may be scattered, absorbed, or emitted at any point in the volume. Displacement shader The shape of the surface may be altered by displacement shaders. This way, can be used to make the mesh surface more detailed. Depending on the settings, the displacement may be virtual, only modifying the surface normals to give the impression of displacement (also known as ) or a combination of real and virtual displacement.

Demo reels The Blender website contains several that showcase various features of Blender. Physics fluid simulation Blender can be used to simulate smoke, rain, dust, cloth, water, hair and rigid bodies. Cloth simulation A is any piece of mesh that has been designated as 'cloth' in the physics tab. Fluid simulation Physics Fluid Simulation The can be used for simulating liquids, like water hitting a cup. It uses the to simulate the fluids and allows for lots of adjusting of the amount of particles and the resolution.

Particle fluid simulation The particle physics fluid simulation creates particles that follow the method. Game engine materials Since the opening of the source, Blender has experienced significant of the initial codebase and major additions to its feature set. Improvements include an animation system refresh; a stack-based modifier system; an updated particle system (which can also be used to simulate hair and fur); fluid dynamics; soft-body dynamics; GLSL shaders support in the game engine; advanced UV unwrapping; a fully recoded render pipeline, allowing separate render passes and 'render to texture'; node-based material editing and compositing; and projection painting. Part of these developments were fostered by 's program, in which the Blender Foundation has participated since 2005.

: taking a NASA also used Blender and to develop an interactive web application to celebrate the 3rd anniversary of the landing on. This app makes it possible to operate the rover, control its cameras and the and reproduces some of the prominent events of the mission. The application was presented at the beginning of the section on 2015. The first large professional project that used Blender was, where it was primarily used to create and pre-visualizations for the department. As an animatic artist working in the storyboard department of Spider-Man 2, I used Blender 's 3D modeling and character animation tools to enhance the storyboards, re-creating sets and props, and putting into motion action and camera moves in 3D space to help make vision as clear to other departments as possible. – Anthony Zierhut, Animatic Artist, Los Angeles. The French-language film ( ) was the first 35 mm feature film to use Blender for all the special effects, made on Linux workstations.

It won a prize at the. The special effects were by Digital Graphics of Belgium. Blender has also been used for shows on the, alongside many other professional 3D graphics programs. 's, which was partly produced in Blender by the Belgian studio Digital Graphics, has been nominated for an in the category '., a commercial animated feature film created entirely in Blender, was premiered in February 2010 in Argentina.

Its main characters are. Special effects for of season X, screened in 2012, were created using Blender as confirmed by Ben Simonds of Gecko Animation. Blender was used for both CGI and compositing for the movie. The special effects for the TV series were done in Blender, with some of the particle simulations relegated to.

Blender was used for in and many of the visual effects in the feature film Sabogal were done in Blender. Director used Blender for multiple shots in, and. Blender was used for parts of the credit sequences in and for doing the animation in the film Cinderella the Cat (2017). Open projects. Main article: In September 2005, some of the most notable Blender artists and developers began working on a short film using primarily, in an initiative known as the Orange Movie Project hosted by the. The resulting film, Elephants Dream, premiered on March 24, 2006.

In response to the success of Elephants Dream, the Blender Foundation founded the Blender Institute to do additional projects with two announced projects:, also known as 'Project Peach' (a 'furry and funny' short open animated film project) and, also known as Project Apricot (an open game in collaboration with that reused some of the assets created during Project Peach). This has later made its way to 's Nintendo Video between the years 2012 and 2013. Big Buck Bunny (Open Movie Project: Peach).

Main article: 'Apricot' is a project for production of a game based on the universe and characters of the Peach movie ( ) using. The game is titled Yo Frankie. The project started February 1, 2008, and development was completed at the end of July 2008. A finalized product was expected at the end of August; however, the release was delayed. The game was released on December 9, 2008, under either the or, with all content being licensed under Attribution 3.0.

Sintel (Open Movie Project: Durian). Main article: The Blender Foundation's Project Durian (in keeping with the tradition of fruits as code names) was this time chosen to make a action epic of about twelve minutes in length, starring a girl and a young as the main characters. The film premiered online on September 30, 2010.

A game based on Sintel was officially announced on Blenderartists.org on May 12, 2010. Many of the new features integrated into Blender 2.5 and beyond were a direct result of Project Durian. Tears of Steel (Open Movie Project: Mango). In a scene from Tears of Steel On October 2, 2011, the fourth open movie project, codenamed 'Mango', was announced by the. A team of artists assembled using an open call of community participation. It is the first Blender open movie to use live action as well as CG. Filming for Mango started on May 7, 2012, and the movie was released on September 26, 2012.

As with the previous films, all footage, scenes and models were made available under a compliant license. According to the film's press release, 'The film's premise is about a group of warriors and scientists, who gather at the ' in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.' Cosmos Laundromat (Open Movie Project: Gooseberry). Cosmos Laundromat – First Cycle On January 10, 2011, Ton Roosendaal announced that the fifth open movie project would be codenamed 'Gooseberry' and that its goal would be to produce a feature-length animated film.

He speculated that production would begin sometime between 2012 and 2014. The film was to be written and produced by a coalition of international animation studios.

Blender Particle Physics

The studio lineup was announced on January 28, 2014, and production began soon thereafter. As of March 2014, a had been constructed and development goals had been set.

The initial ten minute pilot was released on on August 10, 2015. It won the 2016 Computer Animation Festival Jury's Choice award. Online services Blender Cloud The Blender Cloud platform, launched in March 2014 and operated by the Blender Institute, is a subscription-based platform and Blender client add-on which provides hosting and synchronization for backed-up animation project files. It was launched to promote and fundraise for Project: Gooseberry, and is intended to replace the selling of DVDs by the Blender Foundation with a subscription-based model for file hosting, asset sharing and collaboration. A feature of the Blender Cloud is Blender Sync, which provides synchronization between Blender clients for file changes, user preferences and other features.

Blender ID The Blender ID is a unified login for Blender software and service users, providing a login for Blender Cloud, the Blender Store, the Blender Conference, Blender Network, Blender Development Fund and the Blender Foundation Certified Trainer Program. See also., a series of animated short films., a free and open source plug-in for Blender for the parametric 3D modeling of photorealistic humanoid characters References. September 11, 2017.

Retrieved September 11, 2017. September 11, 2017. Retrieved September 12, 2017.

Retrieved May 17, 2014. Retrieved 2016-03-25. Kassenaar, Joeri (May 21, 2005). Archived from on July 16, 2012. Retrieved October 3, 2017.

Retrieved 2017-01-22. Archived from on 2002-10-10. Retrieved 2017-01-22. Archived from on 2002-10-10. Retrieved 2017-01-22. Roosendaal, Ton (June 2005).

Retrieved January 19, 2007. Prokoudine, Alexandre (26 January 2012). Archived from on 9 November 2016. Retrieved 2015-12-05. Blender's Toni Roosendall: 'Blender is also still 'GPLv2 or later'.

For the time being we stick to that, moving to GPL 3 has no evident benefits I know of. My advice for LibreDWG: if you make a library, choosing a widely compatible license (MIT, BSD, or LGPL) is a very positive choice.' Retrieved October 13, 2010. Archived from on March 4, 2007. Retrieved December 23, 2005. Heise.de (in German).

Retrieved May 20, 2008. Archived from on January 20, 2009. Retrieved December 25, 2008. Archived from on June 11, 2009. Retrieved June 21, 2009.

Archived from on October 30, 2013. Retrieved April 13, 2011. blenderfoundation (2011-07-09). Retrieved 2017-01-01. blenderfoundation (2011-07-09). Retrieved 2011-07-10.

Retrieved 2016-11-29. Retrieved November 13, 2015. March 19, 2016. Retrieved March 29, 2016. February 16, 2017. Retrieved September 30, 2016. Retrieved March 11, 2014.

Retrieved July 30, 2014. The FreeBSD Project. July 27, 2014. Retrieved July 30, 2014. Caligari Corporation. Retrieved June 6, 2011. Retrieved January 26, 2013.

Retrieved 2012-07-06. Retrieved March 29, 2016. Retrieved 2015-06-22. Retrieved 2018-02-09. Retrieved 2015-10-18. Retrieved 2015-10-18.

Retrieved 2016-03-24. Retrieved 2015-10-18. Retrieved 2015-10-19. Retrieved October 24, 2015.

Retrieved 2015-12-02. Blender Guru. Retrieved 2015-12-02.

Retrieved 2015-12-02. Retrieved 2012-07-06. Retrieved 2012-07-06.

Retrieved 2012-07-06. Retrieved 2012-07-06. Retrieved 2012-07-06.

June 3, 2009. Retrieved October 22, 2009. June 20, 2015. Retrieved September 9, 2017. November 1, 2015. Retrieved September 9, 2017.

Retrieved 2017-01-22. Retrieved 2012-07-06. Retrieved 2012-07-06. Retrieved 2012-07-06. Retrieved July 25, 2010.

Retrieved July 25, 2010. Retrieved 2012-07-06. Retrieved 2012-07-06. Retrieved 2015-08-07. Retrieved 2015-08-07. Blend4Web Blog.

Retrieved 2015-08-07. Retrieved 2015-08-12. Retrieved 2015-08-13.

Archived from on February 21, 2007. Retrieved 2012-07-06. Retrieved October 22, 2009.

Retrieved 2012-07-06. Retrieved October 22, 2009. Archived from on 2010-02-05. March 8, 2006. Retrieved February 4, 2007. Gecko Animation.

Blender News. Barnstorm VFX. Retrieved 2017-09-11. Retrieved 2017-09-11. Retrieved 2017-09-11. Retrieved 2017-09-11. Retrieved 2017-09-11.

Retrieved 2017-09-11. Retrieved 2017-09-11. Retrieved 2012-07-06. Apricot Open Game. Blender Foundation. Retrieved August 18, 2008.

Retrieved 2012-07-06. Retrieved 2012-07-06. Retrieved 2012-07-06. Retrieved 2012-07-06. Retrieved 2012-07-06. October 2, 2011. Retrieved November 28, 2011.

^ Roosendaal, Ton (October 1, 2011). Blender Foundation. Retrieved November 28, 2011. Blender Foundation.

September 26, 2012. Retrieved September 26, 2012. (September 24, 2012). Retrieved September 26, 2012. Blender Nation. January 10, 2011.

Retrieved 7 March 2014. January 28, 2014. Retrieved 7 March 2014. Retrieved 2017-01-22. 10 August 2015.

Retrieved 2017-01-22. Retrieved 2017-01-22. Retrieved 2017-01-22. Retrieved 2017-01-22. Retrieved 2017-01-22. Further reading.